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7 wins & 8 nominations. See more awards » Videos Edit Cast Uncredited cast: Jafar Panahi... Self (uncredited) Nasrin Sotoudeh... Learn more More Like This Documentary 1 2 3 4 5 6 7 8 9 10 7. 4 / 10 X It's been months since Jafar Panahi, stuck in jail, has been awaiting a verdict by the appeals court. By depicting a day in his life, Panahi and Mojtaba Mirtahmasb try to portray the deprivations looming in contemporary Iranian cinema. Directors: Mojtaba Mirtahmasb, Jafar Panahi Stars: Jafar Panahi, Igi, Mrs. Gheirat Drama | History 7 / 10 Three actresses at different stages of their career. One from before the 1979 Islamic Revolution, one popular star of today known throughout the country and a young girl longing to attend a drama conservatory. Director: Behnaz Jafari, Marziyeh Rezaei Comedy Sport 7. 3 / 10 Struggle of Women in a country that excludes them from entering the stadiums. Sima Mobarak-Shahi, Shayesteh Irani, Ayda Sadeqi Various women struggle to function in the oppressively sexist society of contemporary Iran.
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Cumberbatch has taken on a role that stretches his abilities as an actor beyond most of the roles he has played to date. Playing a man who is imploding under the enormity of the chronic secretive abuse and terror, Cumberbatch achieves a tour de force of acting. Tonally, the production shifts away from pathos and tragedy into humor, sharply contrasting the stiff upper crust British milieu with the both physical gags of Cumberbatch and the aristocratic condoning of the sins of both the sins of the patriarchy and of its alcoholism and even drug abuse to create a fresh take on an old genre. Reviewed in the United States on October 3, 2019 Verified Purchase Extraordinary performance by Benedict Cumberbatch. The story is filled with sadness, resentment and yet still hope for love and forgiveness. In a way, I think that Patrick should forget about the coldness of his mother and be grateful to have Mary as his (ex)wife who is extremely caring and patient for both their children and Patrick. Having a suicidal husband with childhood trauma is like having another deeply disturbed adolescent son.
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Invisibility as "sacred" [ edit] Pasolini often uses the word "sacred" to describe the images he creates or the images that he excludes from the frame. In the film, there are two long takes, and both of them are when Mamma Roma walks at night, working as a prostitute. The background is dark. Only lined street lights are dimly shining. The audience can't see what is going on in the background. Mamma Roma seems isolated from the world. Greene explains what this cinematography technique creates in Pasolini's film. "By fixing and isolating segments of what is visible, Pasolini creates the sense that what we see is merely one part of reality, and that the truly essential — and sacred — remains unseen. " Just as people can't see God, Pasolini is attracted by something that is invisible to the audience's eye, and the invisible images carry something mysterious. In this scene of Mamma Roma, the invisible background makes the scene more mysterious and outstanding than other scenes in the film. Direct body language [ edit] Pasolini uses physical language to show an emotional or psychological state of Ettore.
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grunted the Eusufzai agent of a Rajputana trading-house whose goods had been feloniously diverted into the hands of other robbers just across the Border, and whose misfortunes were the laughing-stock of the bazar. "Ohé, priest, whence come you and whither do you go? " 1897, W. B. Kimberly (editor), chapter 21, in History of West Australia: Camel caravans, and courageous teamsters opened regular carrying businesses between Southern Cross and Coolgardie, while coaches began to run over the desert. ( Britain, Australia, New Zealand, South Africa) A furnished vehicle towed behind a car, etc., and used as a dwelling when stationary. 2006, Roger Cross, Avon Hudson, Beyond Belief: The British Bomb Tests: Australia's Veterans Speak Out, page 92, The caravans were the demarcation between the non-radioactive areas and the radioactive areas. There were two main caravans, one for people going into the forward area, and the other caravan was for people returning. 2009, Chris Cleave, Incendiary, unnumbered page, The best thing about caravans is that they're always exactly the same, said Terence Butcher.
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